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The bust of Nefertiti in the Neues Museum, Berlin, June 2026.Laurens R. Krol, 2026. Wikimedia Commons. CC BY 4.0.

The bust of Nefertiti

Berlin kept Nefertiti out of sight for eleven years. Egypt has asked for her back since 1925.

Ludwig Borchardt’s excavation found her at Tell el-Amarna on 6 December 1912. She came to Berlin in the division of 20 January 1913. This is every place she has been kept since, and every time Egypt has asked for her back.

6 Dec 1912
found in a sculptor’s workshop at Amarna
7 of 14
lots of the finds given to Berlin in the division of 1913
11 years
in Berlin before the public first saw her, 1 April 1924
1925
Egypt’s first demand for her return

01Akhetaten · Tell el-Amarna

Made in a sculptor’s workshop, in Akhenaten’s new city

The bust was made around 1351–1334 BCE, the museum’s dating, in Akhetaten, the city Akhenaten built for his new cult of the sun disc at what is now Tell el-Amarna in Middle Egypt. The house is linked by an inscription to the sculptor Thutmose.

It is limestone under painted stucco, with one inlaid eye of rock crystal; the other was probably never put in. Then it stayed in the ruins of the workshop. When it was covered, nobody knows; the record of it begins on the day it was dug out.

A limestone relief: a king and queen sit facing each other holding small children, with sun rays ending in hands above them.
A house altar from Amarna showing Akhenaten, Nefertiti and three of their daughters under the rays of the sun disc, Ägyptisches Museum Berlin.Gerbil, 2006. Wikimedia Commons. CC BY-SA 3.0.

More than 3,359 years old. In Germany since 1913.

One linear scale. The yellow block is the museum’s dating, 1351–1334 BCE; the blue block is the time since the division of 1913, about 3 per cent of the bust’s life.

02House P 47.2 · room 19

6 December 1912: “Describing it is no use”

The excavation was led by the Egyptologist and building historian Ludwig Borchardt for the Deutsche Orient-Gesellschaft, and paid for by one man, the Berlin entrepreneur and patron James Simon. In house P 47.2, room 19, the workshop, the bust came out of the rubble close to the east wall, after a man’s portrait head had been lifted away.

“Beschreiben nützt nichts, ansehen.”Describing it is no use: look at it. Ludwig Borchardt’s diary, on the bust

Photographs were taken on the day. The objects were photographed properly in the dig house later that month, ready for the division of the season’s finds with Egypt’s Antiquities Service.

Low mud-brick wall foundations in the desert sand.
The remains of house P 47.2 at Amarna, the workshop linked to the sculptor Thutmose, where the bust was found. Photographed in 2010.Photo by David Schmid (Didia), 2010. Wikimedia Commons. CC BY-SA 3.0.
Black-and-white reproduction of a portrait of a grey-haired man in a dark suit and bow tie.
Ludwig Borchardt, who led the excavation: a portrait by Max Liebermann, here in a black-and-white reproduction.Max Liebermann, portrait of Ludwig Borchardt. Wikimedia Commons. Public domain.

03The division of finds

Fourteen lots, chosen by Egypt’s inspector

On 20 January 1913 the finds were split into 14 equal lots, 7 for each side. Gustave Lefebvre, the inspector for the Antiquities Service, wrote the document, and Borchardt countersigned it. The folding altar now in Cairo headed the Egyptian side; the bust was set against it on the German side.

Each square is one lot. The museum’s account: the altar was put first on the Egyptian side and the bust as its counterpart on the German side. Berlin’s seven went to James Simon, who had paid for the dig.

Simon kept the bust in his villa in Tiergartenstraße and lent the originals to the Egyptian Museum. In 1920 he made the loan a gift. When the Amarna finds went on show in 1913, the bust was left out. Whether Borchardt played down its worth at the division has been argued ever since; part 05 sets out the positions.

Painting of a man seated at a desk in a study crowded with pictures.
James Simon, who paid for the excavation and owned Berlin's share of the finds, at his desk; portrait by Willi Döring, 1901.Willi Döring, 1901. Wikimedia Commons. Public domain.
Grainy photograph of a young man in a dark coat, a detail of a group picture.
Gustave Lefebvre, the Antiquities Service inspector who wrote the division document, in 1901 (detail of a group photograph).Unknown photographer, 1901. Wikimedia Commons. Public domain.

041912 to today

Nine homes in a century, and a war in a mine

Every place the bust has been kept since 1912, on one linear scale. Where a source gives a day or a month, the bar starts or ends there; where it gives only a year, the bar fades across that year.

Where the bust has been, 1912 to today

A timeline from 1912 to today on one linear scale, one row per place the bust has been kept, with a row below for Egypt's requests for its return.
Neues Museumelsewhereroute disputeddate known to the yearEgypt asks
Low mud-brick wall foundations in the desert sand.
House P 47.2 at Amarna, the workshop where the bust was found, in 2010.Photo by David Schmid (Didia), 2010. Wikimedia Commons. CC BY-SA 3.0.

6 December 1912 – 1913

Tell el-Amarna

The bust was photographed in the dig house and divided with the season’s other finds on 20 January 1913. It was shipped to Berlin the same year.

Painting of a man seated at a desk in a study crowded with pictures.
James Simon at his desk, painted by Willi Döring in 1901.Willi Döring, 1901. Wikimedia Commons. Public domain.

1913 – 1 April 1924

James Simon

James Simon kept the bust in his villa in Tiergartenstraße, then lent it to the museum and gave it in 1920. For 11 years the public did not see it.

Engraving of a grand staircase hall with columns and wall paintings.
The Neues Museum's staircase hall, about 1850.Unknown author, c. 1850. Wikimedia Commons. Public domain.

1 April 1924 – 1939

Neues Museum

On 1 April 1924 the bust went on show in the Neues Museum. It stayed until the museums on Museum Island closed at the outbreak of war in 1939.

Rows of sacks laid out on the floor of a long, lamp-lit mine tunnel.
Reichsbank gold in the Merkers mine, April 1945; Berlin's museum art was stored in the same mine.Unknown author, 1945. Wikimedia Commons. Public domain.

1939 – 4 April 1945

Wartime storage

The bust was stored at various locations. By April 1945 it was in the Kaiseroda potash mine at Merkers, Thuringia, where US troops took the town on 4 April 1945. The sources differ on the route, so the bar is hatched.

A long neoclassical museum building with a domed portico.
The Museum Wiesbaden, the US collecting point after the war.Museumwiesbaden, 2019. Wikimedia Commons. CC BY-SA 4.0.

4 April 1945 – 1956

Frankfurt, Wiesbaden

The Americans moved the mine’s art to Frankfurt, then to their collecting point in the Wiesbaden museum. A small show there in 1946 drew 200,000 visitors.

A neoclassical museum building with a columned portico and two tall banners.
The museum building on Arnimallee, Dahlem, in 2012.Bodo Kubrak, 2012. Wikimedia Commons. CC0.

1956 – 17 October 1967

Dahlem

In 1956 the bust came back to a divided city: to West Berlin, and the museums in Dahlem. Museum Island lay in the East.

The bust of Nefertiti in a glass case in a dark gallery.
The bust in the Egyptian Museum, Charlottenburg, February 1978.Rüdiger Stehn from Kiel, Germany, 1978. Wikimedia Commons. CC BY-SA 2.0.

17 October 1967 – August 2005

Charlottenburg

From 17 October 1967 she was the centrepiece of the Egyptian Museum in the eastern Stüler building, opposite Charlottenburg Palace.

The bust of Nefertiti, in profile, under spotlight.
The bust in the Altes Museum, 2007.Gunnar Bach Pedersen, 2007. Wikimedia Commons. Public domain.

August 2005 – 16 October 2009

Altes Museum

In August 2005 the bust crossed back to Museum Island, to the upper floor of the Altes Museum, while the Neues Museum next door was rebuilt.

The long facade of the Neues Museum with the colonnade in front.
The Neues Museum on Museum Island, 2016.Fred Romero from Paris, France, 2016. Wikimedia Commons. CC BY 2.0.

16 October 2009 – today

Neues Museum, again

The rebuilt Neues Museum opened on 16 October 2009. The bust has been there since, in the museum she was first shown in.

Photograph of a man with a white beard in a tweed suit, among a crowd.
Pierre Lacau, head of Egypt's Antiquities Service, 1924.Agence Rol, 1924. Wikimedia Commons. Public domain.

1925 – 2011

And all the while, Egypt asking

The bottom row marks Egypt’s requests: the first in 1925, years of talks that ended in 1933, an appeal to UNESCO in 2005 and a letter in 2011.

05Asked back since 1925

A century of asking, and the same answer

The first demand reached Berlin in 1925, the year after the bust went on show. It came from the head of Egypt’s antiquities service, then the Frenchman Pierre Lacau. Berlin has never given her back, and says it has received no official request from the Egyptian state.

1925

The first demand

The head of Egypt’s antiquities service wrote to Berlin asking for the bust back.

late 1920s

Offers to exchange

Egypt offered high-ranking works from the Egyptian Museum in Cairo in exchange. Berlin kept the bust.

1933

Talks broken off

The negotiations dragged on for years until they were broken off for good in 1933.

2005

An appeal to UNESCO

Zahi Hawass, head of Egypt’s antiquities council, asked UNESCO to lead negotiations over five objects abroad, the bust among them.

2011

A letter to the foundation

Hawass wrote to the Prussian Cultural Heritage Foundation asking for the bust’s return. The foundation answered that the letter was not signed by Egypt’s prime minister and so was not an official request.

A smiling man in a wide-brimmed hat and blue shirt, outdoors at Giza.

Egypt’s position

The bust was taken to Germany illegally.

Zahi Hawass, then head of Egypt's Supreme Council of Antiquities, at Giza in June 2009. Official White House photo by Pete Souza, 2009. Wikimedia Commons. Public domain.

The long facade of the Neues Museum with the colonnade in front.

Berlin’s position

The finds were recorded and shown in open crates; there was no deception, and Egypt has no legal claim.

The Neues Museum on Museum Island, rebuilt by David Chipperfield and reopened in 2009, photographed in 2016. Fred Romero from Paris, France, 2016. Wikimedia Commons. CC BY 2.0.

A woman in a beige jacket seated on a stage, speaking.

A historian’s reading

Savoy, working from the files of the Egyptian antiquities service, calls the story that Borchardt deceived the inspector a legend rather than a fact.

The art historian Bénédicte Savoy, 2024. Rudolf H. Boettcher, 2024. Wikimedia Commons. CC BY-SA 4.0.

She has been back in the Neues Museum since 2009, in the building where she was first shown.

Egypt first asked for her in 1925. Berlin’s position remains unchanged.

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Berlinfographics (2026). “The bust of Nefertiti, 1912 to today”. Berlin Experiences. https://berlinfographics.com/nefertiti-journey/

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{{cite web |title=The bust of Nefertiti, 1912 to today |url=https://berlinfographics.com/nefertiti-journey/ |website=Berlinfographics |publisher=Berlin Experiences |date=2026-11-09 |access-date=2026-11-09}}